{ "id": 48585, "date": "2025-05-11T12:26:55", "date_gmt": "2025-05-11T10:26:55", "guid": { "rendered": "https:\/\/yearbooktest1.com\/?p=48585" }, "modified": "2025-06-03T18:07:04", "modified_gmt": "2025-06-03T16:07:04", "slug": "congo-culture-la-tres-influente-ecole-de-poto-poto", "status": "publish", "type": "post", "link": "https:\/\/congo-en.yearbook-media.com\/fr\/congo-culture-la-tres-influente-ecole-de-poto-poto\/", "title": { "rendered": "Congo – Culture
– La tr\u00e8s influente \u00e9cole de Poto-Poto" }, "content": { "rendered": "
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\n\t\t\t\t\t\t\t\t\tCongo – Culture
– La tr\u00e8s influente \u00e9cole de Poto-Poto\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Fond\u00e9e en 1951 par le Fran\u00e7ais Pierre Lods, l\u2019\u00e9cole de peinture de Poto-Poto a form\u00e9 plusieurs milliers d\u2019artistes dont certains de r\u00e9putation internationale. Elle constitue un important h\u00e9ritage du patrimoine congolais.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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B\u00e2tie au pied d\u2019un baobab, l\u2019\u00e9cole de peinture de Poto-Poto est bord\u00e9e par d\u2019autres arbres qui prot\u00e8gent l\u2019\u00e9difice tel un nid d\u2019oiseau. L\u2019\u00e9cole compte parmi ses anciens des peintres de r\u00e9putation internationale comme Marcel Got\u00e8ne, Fran\u00e7ois Thango, Fran\u00e7ois Iloki, Philippe Ouassa, Jacques Zigoma, , Andr\u00e9 M\u2019Bon ou encore Michel Hengo. Certains sont install\u00e9s \u00e0 l\u2019\u00e9tranger. Sous l\u2019influence de F\u00e9lix Ossali, le premier \u00e9l\u00e8ve de Lods, le style Mik\u00e9, qui signifie \u00ab petit \u00bb en lingala, se d\u00e9veloppe. Compos\u00e9 de petits personnages aux formes sch\u00e9matiques et \u00e9lanc\u00e9es, il n\u2019est pas sans \u00e9voquer les peintures rupestres du Tassili. La mode du style Mik\u00e9 se situerait entre 1950 et 1954. Ce style, facilement reconnaissable est encore aujourd\u2019hui la signature de l\u2019\u00e9cole. Il sera copi\u00e9 dans toute l\u2019Afrique.<\/p>\n

La reconnaissance de l\u2019\u00e9cole d\u00e9passe rapidement les fronti\u00e8res du Congo. La premi\u00e8re exposition collective a lieu en 1952 \u00e0 la galerie Palmes \u00e0 Paris. La cons\u00e9cration a lieu en 1955-1956 lors de l\u2019exposition au MOMA de New-York. Elle se confirme en 1958, quand plusieurs membres repr\u00e9sentent l\u2019\u00e9cole de Poto-Poto \u00e0 l\u2019Exposition Universelle de Bruxelles.<\/p>

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Aujourd\u2019hui, la deuxi\u00e8me g\u00e9n\u00e9ration de peintres de l\u2019\u00c9cole de Poto-Poto assume pleinement son h\u00e9ritage, oscillant de la tradition africaine vers la modernit\u00e9 universelle. Ne se limitant plus \u00e0 une production de \u00ab mik\u00e9s \u00bb ou \u00e0 des sujets trait\u00e9s en aplats, g\u00e9n\u00e9ralement cern\u00e9s de noir \u00e0 la mani\u00e8re de leurs a\u00een\u00e9s, ou encore \u00e0 des th\u00e8mes rituels, ils se lancent dans des productions de style plus naturaliste, impressionniste ou abstrait. Leurs \u0153uvres portent toujours le sigle PPP : Peintre de Poto-Poto. A chaque vente, 30 % revient automatiquement dans une caisse collective afin d\u2019assurer le bon fonctionnement de l\u2019\u00c9cole\u2026 Parmi ces artistes citons Pierre Claver N\u2019Gampio, Sylvestre Mangouandza, Jacques Iloki, Gerly Mpo, Antoine Sitta, Adam Opou, Serge Dezon, Laeticia Mahoungou, Thierry Bongoualenga, Ren\u00e9 Bokoulemba, Romain Sylv\u00e8re Mayoulou, Vanessa Agnagna, Albin Massa, Aris Dihoulou, etc.<\/span><\/p>\n

En 2002, l\u2019\u00e9cole a re\u00e7u la m\u00e9daille Picasso de l\u2019UNESCO. En 2014, le centre national d\u2019art et de culture Georges Pompidou – Beaubourg de Paris a expos\u00e9 les chefs d\u2019\u0153uvre de Marcel Gotene, de Nicolas Ondongo et de Jacques Zigoma dans le cadre de l\u2019exposition \u00ab D\u2019une rive \u00e0 l\u2019autre \u00bb.<\/p>\n

L\u2019\u00e9cole re\u00e7oit dor\u00e9navant une subvention accord\u00e9e par l\u2019Unesco et Parfait Mbon, le directeur de l\u2019\u00e9cole, va mettre en place une galerie virtuelle pour permettre aux artistes de vendre leurs \u0153uvres dans le monde entier.\u00a0<\/p>\n

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1953-2023 : 70 ans de la litt\u00e9rature congolaise\u00a0<\/b><\/div>\n
70 ans d\u00e9j\u00e0 depuis que la litt\u00e9rature congolaise \u00e9crite s\u2019affirme et s\u2019\u00e9tend au-del\u00e0 des fronti\u00e8res par le g\u00e9nie de ses talentueux \u00e9crivains. Le Congo se d\u00e9marque par sa singularit\u00e9 au sein de l\u2019espace litt\u00e9raire d\u2019Afrique francophone. En effet, pays de taille modeste, il constitue pourtant l\u2019un des viviers les plus importants d\u2019\u00e9crivains africains d\u2019expression fran\u00e7aise. Son grand nombre d\u2019auteurs, leur effervescence cr\u00e9atrice exprim\u00e9e au travers des diff\u00e9rents genres du champ de l\u2019\u00e9criture moderne, roman, po\u00e9sie, th\u00e9\u00e2tre, nouvelle, t\u00e9moignent de l\u2019existence d\u2019une v\u00e9ritable litt\u00e9rature nationale avec Henri Lopes, Sony Labou Tansi, Julien Mabiala Bissila, Emmanuel Dongala, Andr\u00e9 Yaba, Aim\u00e9 \u00c9yengu\u00e9, Bertrand Nguyen Matoko et bien d\u2019autres\u2026<\/div>\n
Dans ce riche tableau, Alain Mabanckou constitue aujourd\u2019hui l\u2019un des auteurs majeurs de la litt\u00e9rature congolaise contemporaine. Il s\u2019agit du premier \u00e9crivain \u00e0 occuper la chaire internationale de Cr\u00e9ation artistique au Coll\u00e8ge de France.<\/div>\n<\/div>\n

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Fond\u00e9e en 1951 par le Fran\u00e7ais Pierre Lods, l\u2019\u00e9cole de peinture de Poto-Poto a form\u00e9 plusieurs milliers d\u2019artistes dont certains de r\u00e9putation internationale. Elle constitue un important h\u00e9ritage du patrimoine congolais. B\u00e2tie au pied d\u2019un baobab, l\u2019\u00e9cole de peinture de Poto-Poto est bord\u00e9e par d\u2019autres arbres qui prot\u00e8gent l\u2019\u00e9difice tel un nid d\u2019oiseau. L\u2019\u00e9cole compte … Lire plus<\/a><\/p>", "protected": false }, "author": 1, "featured_media": 48587, "comment_status": "closed", "ping_status": "open", "sticky": false, "template": "", "format": "standard", "meta": { "_acf_changed": false, "footnotes": "" }, "categories": [ 310, 341 ], "tags": [], "class_list": [ "post-48585", "post", "type-post", "status-publish", "format-standard", "has-post-thumbnail", "hentry", "category-culture", "category-culture-congo", "generate-columns", "tablet-grid-50", "mobile-grid-100", "grid-parent", "grid-20" ], "acf": [], "yoast_head": "\nCongo - Culture - La tr\u00e8s influente \u00e9cole de Poto-Poto<\/title>\n<meta name=\"description\" content=\"Fond\u00e9e en 1951 par le Fran\u00e7ais Pierre Lods, l\u2019\u00e9cole de peinture de Poto-Poto a form\u00e9 plusieurs milliers d\u2019artistes dont certains de r\u00e9putation internationale. 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